Date(s) - 15/12/2022
19:00 - 21:00
ESA West, Room 120
Lecture followed by discussion
In order to counter and to question the increasing fatigue and apathy which can be observed in Germany and Western Europe concerning the topic of the Russian war in Ukraine we invited Ukrainian artists, curators, and art historians to share their knowledge and work. All in all, three events will center around topics such as the role of moving images in times of war, recent developments in Ukrainian contemporary art, and decolonial approaches to this field.
We hope to enable a dialog about these pressing topics at Universität Hamburg. Since epistemic violence is one of the mechanisms of imperialist and colonial power and warfare, true solidarity and resistance require attentive listening to the oppressed and continuous support in their attempts in regaining their own subjectivity.
Therefore, the events we have organised are an attempt in collective action to reflect on the blind spots and myths that can be found in Western contexts regarding contemporary Ukrainian art as well as art historiography – past and present – in the face of the Russian full-scale invasion.
Contact for Universität Hamburg: Petra Lange-Berndt, Department of History of Art, and Anja Tippner, Institute of Slavic Studies
Organisation: Natalya Stupka / Denis Uhreniuk (Hamburg / Lviv / Kyiv. Students of Kunstgeschichtliches Seminar, Universität Hamburg
Moderation: Mariia Vorotilina (Kampnagel Hamburg / Kyiv)
Revolution at War: Art and Politics in Ukraine, Vasyl Cherepanyn (Kyiv)
Vasyl Cherepanyn will analyse the cultural and political processes in Ukraine since the Maidan revolution in 2014 until Russia’s ongoing full-scale invasion of the country. The talk focuses on the functioning of art institutions under conditions of war and occupation and investigates the realm of memory politics and culture of remembrance in Europe’s East in light of the experiences of imperialism, authoritarianism and the processes of decolonisation.
Vasyl Cherepanyn is Head of the Visual Culture Research Center (VCRC), an institution he co-founded in Kyiv in 2008 as a platform for collaboration among academic, artistic, and activist communities. He holds a PhD in philosophy (aesthetics) and has lectured at the National University of Kyiv-Mohyla Academy, European University Viadrina in Frankfurt (Oder), University of Helsinki, Free University of Berlin, Merz Akademie in Stuttgart, University of Vienna, Institute for Advanced Studies of the Political Critique in Warsaw, and University of Greifswald. He was a visiting fellow at the Institute for Human Sciences in Vienna in 2016. He coedited Guidebook of the Kyiv International (Medusa Books, 2018), ‘68 NOW (Archive Books, 2019), and curated The European International (Rijksakademie van beeldende kunsten, Amsterdam, 2018), Hybrid Peace (Stroom, The Hague, 2019), and Armed Democracy (2nd edition of Biennale Warszawa, 2022), among others. VCRC has been the organizer of the Kyiv Biennial (The School of Kyiv, 2015; The Kyiv International, 2017; The Kyiv International—‘68 NOW, 2018; Black Cloud, 2019; Allied, 2021) and a founding member of the East Europe Biennial Alliance. VCRC received the European Cultural Foundation Princess Margriet Award for Culture in 2015 and the Igor Zabel Award Grant for Culture and Theory in 2018.
Moderated by Mariia Vorotilina, Kampnagel Hamburg